A more “playful” session today, the last, excepting one more soley for review and some video recording.
– Forward hook: Out of the american position, have that left out in front and turned outward. It needs to be in front of her foot so you don’t block her pivot.
Experiments with, say, a sacada/boleo resolution of the cross.
– for the sacada / back sacada resolution of the cross, keep that left foot glued to the floor. If you move it, you weren’t in the right position to start with
For back boleos out of a back sacada, you have to move radially around her; and you have to have the embrace and frame fairly firm; it is like a “cage” for her to move within. This embrace and can move radially around her dis-associated from the rest of you, all other things like posture being equal.
By properly maintaining those shoulders and arms where they should be — and arms are never to be a part of any boleo lead, hardly, it was amazing how effortless it was (granted, dancing with a performer and instructor) for these boleos to evolve out of all kinds of variant possibilties.
Another fun thing: Lady’s back gancho out of the position I had priorly been attempting lady’s back sacadas out of. And: back gancho resolution of the two-way exercise for lady’s sacadas.
Last year I described my teacher as a magician, who could pull figurative rabbits out of a hat; which is true. She can also pull confidence out of the student.